broad daylight blog


A portrait, the Trossachs and lots of midges!

 © broad daylight

Last night one of our most recent portraits was unveiled at a cocktail event in Glasgow, unfortunately we couldn't be there due to work commitments but hopefully everyone had a great timeŠ and we can have cocktails at another unveiling!

The portrait is of Hazel Brooke MBE formerly the Chair of Court at Glasgow Caledonian University.

In addition to working within education (Glasgow University as well as GCU) Hazel has chaired several international committees in relation to health and was granted an MBE for her services to Cot Death research. Hazel was also a non-Executive Director of Yorkhill NHS Trust, a member of Greater Glasgow Health Board’s Clinical Governance Committee and chaired Specialist Registrar Selection Committees for Greater Glasgow Health Board….PHEW!

Before taking the portrait we interviewed Hazel and discovered that she is a lover of the outdoors and has been involved in the ‘greening’ of the GCU campus. She likes to spend her free time hill walking and rambling, the Trossachs being one of Hazel’s favourite areas to visit and unwind.

We decided that a portrait that illustrated the work/play aspects of Hazel’s life was the order of the day. As this is an official, commemorative portrait Hazel had to be portrayed wearing her GCU robe…so that was the ‘work’ aspect taken care of. We drove around the Trossachs on a very, very wet day looking for a suitable location. We wanted somewhere that reflected Hazel’s calm, elegant persona. It also had to conjure up a feeling of reliability…of being grounded and of new growth. We found the perfect location at the Forestry Commission’s ‘Queen Elizabeth Forest Park’ near Aberfoyle. Tall moss laden tree trunks in a cathedral like space suited us perfectly…we just needed to wait on spring and better weather to give us the ‘new growth’ element of the portrait.

A few weeks later on a warm. humid day the portrait took session took place. As usual we arrived early to set up camera, lights, laptop etc. One thing we hadn’t anticipated was midges…millions of midges. Fortunately Hazel called us on our mobile before coming down to the location and we we’re able to ask her to buy some midge repellent at The Lodge Forest Visitor Centre. Hazel stood in a spot that wasn’t quite as beleaguered as the camera position…without the repellent, hats, long sleeved shirts and high necked collars we may have had to cancel…as it was we cried for days.

Technical information: The shot was taken on our Hasselblad fitted with a digital back and lit with two flash units. We had to check each shot as we took it because when we looked through the camera’s viewfinder we could see midges crawling all over the place. Luckily they were on the focussing screen. We used Lightroom and Photoshop in post-production. The final portrait was supplied to the client beautifully framed by Amber Arts, Montrose Terrace in Edinburgh.

The moral of this story? - always, always take midge repellent when you’re working in the Scottish countryside on warm, humid and windless days…either that or shoot your photos in the winter!




photographing a striking building under a vast sky

A recent commission from multi-award winning architects Reiach and Hall saw us travelling north to the wide-open skies of Wick in Caithness. The brief was to photograph ‘Nucleus: The Nuclear and Caithness Archives’, a building that Reiach and Hall designed for the Nuclear Decommissioning Authority. We were asked to take photographs that not only capture this stunning building but also come back with images that reflect the character of the location in which it is situated.


The building’s design makes subtle use of cues from the surrounding landscape and the history of Caithness. Neolithic chambered cairns, standing stones, local geology, Wick Airport, the layout of the surrounding fields, the weather and wide open skies all contribute to realising a design that whilst being cutting edge echoes the region’s history and references the neighbouring environment.

We were on site for sunrises and sunsets so that we could capture the building against dramatic skies as the light raked across the landscape highlighting it’s elevations. We also photographed it at other times of the day in order to illustrate the effect the sun’s position has on the building’s exterior and interior. Inside it feels very open with extensive views to the outside and ‘internal lochans’. The use of large glass walls (some with coloured transparent panels) allows in lots of light and, when looking at the building from the outside, reflect the ever-changing sky. The exterior cladding is beginning to weather giving the exterior a beautifully understated patina.



This is a great building to photograph as it has so many dynamic viewpoints and it’s appearance changes in tune with the weather and time of day. It’s also a really good building to visit. Staff that we spoke to love the interior's atmosphere as do members of the public who can utilise the Caithness Archive section, all in all a fab and dramatic building.


We shot on Nikons and Fuji X Series cameras, the resultant files were adjusted in Lightroom and Photoshop. We didn’t need any filters to get drama into the shots as that was already there in abundance…we’ve only just dried out!

Reiach and Hall won two top awards for this amazing building in ‘The Architect’s Journal Architecture Awards 2017’. The richly deserved awards are for ‘Public Building of the Year’ and ‘AJ Editor's Choice of the Year’….well done Reiach and Hall!


a sculpture, a metal worker, a book & an exhibition

Earlier this year we were commissioned to take a series of photographs for a limited edition commemorative book. The images document the installation and unveiling of a statue depicting William Henry Playfair, the architect who helped Edinburgh gain it’s “Athens of the North” nickname.

The statue was created by Alexander Stoddart, Queen's Sculptor in Ordinary in Scotland. We’re no strangers to Sandy’s work as we photographed him for our ‘as others see us’ project (here)…in fact anyone wandering about Edinburgh can see several examples of his civic monuments dotted around the city.

We travelled to Nairn, not far from Inverness, to take photographs at Black Isle Bronze Ltd where the statue had been cast. Unfortunately the casting process had taken place before it was decided to commission the book. It was still a valuable trip however as we were able to take portraits of several people who had worked on the Playfair statue and were also able to document their working methods.

We entered one of the portraits of Andy, who is a metal worker at Black Isle Bronze, into the Scottish Portrait Awards and were lucky enough to have it chosen for exhibition. All of the photographic portraits in the SPA exhibition had to be monochrome but we’d originally taken the shot in colour and really like that version too so we’ve included both in this post.

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Below is small selection of other images taken for the project. They show the arrival and unloading of the statue, the stonemasons working, Sandy checking progress, details of the completed work and a couple of book spreads. Some of these shots were used in the book (which we designed and produced), whilst others are just images that we like but weren’t appropriate for the final publication.

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book spread © broad daylight

book spread © broad daylight

book spread © broad daylight

SPA exhibition © broad daylight

SPA exhibition © broad daylight

Also above are two installation images taken at Scottish Portrait Award exhibition which runs until the 2nd of December at the Scottish Arts Club, 24 Rutland Square, Edinburgh. Opening times and further information can be found here

The statue can be seen outside The National Museum of Scotland in Edinburgh’s Chambers Street and is part of a rejuvenation of the street to create a public plaza. The redevelopment project was jointly funded by National Museums Scotland, Edinburgh City Council and The University of Edinburgh University along with a number of private donations.


cream of the crop 

We have been lucky enough to have worked with Mackie's of Scotland for a few years now and every visit to their farm near Inverurie is always interesting and a pleasure.

For anyone that doesn't know (what have you been doing?!) Mackie's is a family run company that produces very high quality ice cream, crisps and now fabby chocolate. The ice cream and chocolate are made on their farm which is pretty unusual... no long distances transporting milk to a factory miles away.. Everyone on the farm is on first name terms, it doesn't matter who you are, director, stockman or sweetie kitchen supervisor there's no room for egos here. The number of 'real' families within the Mackie's family is also surprising, brothers and sisters, mothers, and sons and daughters and of course husbands and wives.

Karin Hayhow (Mackie's Marketing Director) knows how special this is and so way back in 2015 she asked us to work with her to make this project a reality.  It took a little while to actually get going (fitting in portraiture shoots with the running of a busy farm, a factory and a very successful company is a pretty complex task). We started gently, taking occasional portraits so that people could warm to the notion of having their portrait taken wearing their work clothes rather than their glad-rags. Karin also interviewed each of sitters so that the portraits could be accompanied by a quote from each of them.

Kevin Jepson, Services Manager - Engineer "I love it in my workshop, it’s my favourite place in the world… that’s because I’ve got a’thing in here, my drills, my power tools, spares... so I feel like I could mak onything!

All of the images have come together in a project called 'Faces of Mackie's' and the above portrait is just one example of the more than 50 portraits we have taken (see others here). Mackie's are using the portraits on their website (here). 

So, next time your enjoying a bowl of Mackie's Honeycomb Ice Cream or a bar of Mackie's Dark Chocolate, sit back, enjoy it and think of people... the 'Faces of Mackie's who have helped bring a little luxury into your day!

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How chuffed are we!!

We are delighted to announce that our portrait of artist Alison Watt has been acquired by the Scottish National Portrait Gallery for their collection. The work is part of a small exhibition entitled ‘Building Sights’ that we produced last year as part of the Festival of Architecture. See it in full here

Commissioned by the R.I.A.S. the exhibition consists of six portraits of well-known people who were asked to choose their favorite building in Scotland. Alison chose the Memorial Chapel, Old Saint Paul's Scottish Episcopal Church Edinburgh.

She said "From the moment I stepped into the chapel, I knew I was going to make work to describe how I felt,..."

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© broad daylight